The Navajo are the largest tribe in the United States. They account for
almost fifteen percent of the Native American population in the 1990 census
and number in excess of 250,000 members. They occupy a vast area of the
southwest spreading across parts of Arizona, New Mexico, Colorado and Utah.
The lands of the Navajo encompass an area larger than the states of
Massachusetts, Rhode Island, Connecticut and New Jersey combined!
The name Navajo is not so much a name as a place. The Pueblo Indians
referred to the area of the southwest from which the Navajo came. The Spanish
referred to them as the Apaches de Navajo which eventually was shortened to
simply Navajo. The Navajo refer to themselves as Dine (Den-ah), which means
"the people". Their vast land is called Dinetah.
Flying over this vast region is the flag of the Navajo Nation. The flag,
adopted on May 21, 1968 by the Tribal Council in Window Rock, AZ, was designed
by Jay R. DeGroat, a Navajo from Mariano Lake, NM, now living in
Crownpoint,New Mexico and won out over 140 other suggested designs. The Flag
incorporates elements from the tribal seal which was designed by John Claw Jr.
of Many Farms, AZ and adopted on January 18, 1952. The great seal bears a ring
of 48 arrow heads representing the then 48 states of the United States and
reflects the Navajo nation protected by the United States. Within this ring of
arrowheads are three concentric circles that are not completed at the top.
These circles represent the rainbow, open to the east, and symbolize the
Navajo Nation itself. It is a reminder that the sovereignty of the Navajo
Nation is never closed. The rings are turquoise outermost, then yellow and
lastly red. Within these rings are two corn plants, the sustainer of life for
the Navajo, their tips yellow showing pollen, a substance used frequently in
Navajo ceremonies. Within the corn are four differently colored mountains and
a horse, cow and sheep representing livestock, a main source of wealth for the
Navajo. The four sacred mountains are shown in turquoise, white, black and
yellow.
The four colors of the mountains are a recurring theme in the stories and
legends of the Navajo. One of the primary occurrences of the four colors is in
the Navajo story of creation.
In that legend the world began as a black island floating in the mist.
Above it were four clouds, black, white, blue and yellow.
The first cloud, the black one, represented the female being within whose
being were contained all the forms of life. The white cloud contained the male
substance. When the black and white clouds met, all the forms of life - plant
and animal, came into being. This included the very first man .As a result of
the two clouds meeting, they were transformed from clouds into worlds. The
newly created creatures climbed into the second world, the blue cloud and
found it already inhabited by the birds, especially bluebirds, blue jays, blue
herons and blue hawks. The birds disliked this invasion of their land and
escaped into the third world, that of the yellow cloud. The yellow world was
home to a great flood, a recurring legend in all Native American folklore, and
all forms of life climbed into the fourth world, the white cloud, to escape
the deluge. The white world was barren, so man planted seeds to grow reeds and
allow life to move on to the fifth world were he resides to this day.
The flag is a pale buff color bearing a map of the Navajo Nation in two
colors. The original boundaries of the 1868 reservation are shown in dark
brown, while the much larger current borders are shown in a copper color.
Surrounding the map are the four sacred mountains and over the top of all this
is the rainbow motif mentioned in the great seal. For a close up of the seal -

Centered on the map is a white disc bearing the corn stalks and domestic
animals from the seal. In addition to these there are representations of other
aspects of the Navajo's economy; a traditional hogan, oil drilling equipment,
forestry, mining and recreational fishing and hunting. All save the green and
yellow corn stalks appear in black outline.
The placement of the sacred mountains of the flag is a compromise between
modern geography and Navajo legend. Where the white man views North as the
upward direction, the Navajo consider East to be "up". Here is where
the sacred white mountain resides. On the flag, the reservation is reflected
in modern geographic terms with North equating with "up". However,
the white mountain still resides in the east, though now shown on the fly end
of the flag.
The overall image of the flag recalls one of the arts associated with the
Navajo - sand painting. Many of the flag's details, and the sand colored
background, are frequently found in these temporary art works that initially
served as altars in various healing ceremonies. The Navajo create these
intricate works by carefully trickling powdered minerals such as ocher, ground
sandstone, gypsum and charcoal into patterns on clean sand. When the ceremony
was over the painting was destroyed, participants taking some of the powders
home with them for their magical powers. Today the art of sand painting is a
source of revenue for many Navajo artists who now make their works permanent
and sell them to tourists and collectors.
In early 1995, the flag of the Navajo nation became the first Native
American tribal flag to fly into space when it was carried aboard the space
shuttle Discovery by astronaut Bernard Harris. Dr. Harris is an
African-American physician who lived on the Navajo reservation when he was a
child. Dr. Harris had asked the Navajo for some token to take into space with
him and President Albert Hale of the Navajo nation decided upon the flag.
Before it could be flown, however, the flag was blessed by the medicine men of
the the Navajo by sprinkling corn pollen upon it.
The shaman also had to be assured that the Discovery's flight path
conformed to Navajo religious beliefs in that the spacecraft had to fly in a
clockwise direction. After its February flight the flag was flown over the
Navajo National Capitol in Window Rock, AZ.
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